-

This research deals with a statement of aspects of the linguistic efforts of Ismail al-Qadi, who was famous in the field of religious sciences, and this research presented three aspects of these efforts: The first topic is for analysis of the sentence in the Holly Qur’an and the Qur’anic reading, the second topic is for the linguistic interpretation, which is the one whose preference, based on the most correct of the language in its grammar, morphology and meaning, the third topic it's for linguistic narratives, which they quoted from him in linguistic issues. And Then the conclusion that included the most important results, Including: Ismail Al-Qadi’s attention to language through the study of thirty-one cases, fourteen of which are from the books of Ismail Al-Qadi himself, and the rest were quoted from other sources.

     Among the phrases is a form that comes as a single letter formula, and this includes the nouns: such as Taa of the subject, Kaf of the addressee, Yaa of the speaker, and verbs: such as (Qe) from (Waqa) and (`E) from (Wa’a), and the letters: Lam, Baa and Kaf of preposition, and Meem from (Maen), Alif from (Alhawa) and a Laam from (La`alla).      This study aims to reveal what comes of phrases in the form of one letter and what does not, and it attempts to clarify the effect of what is in the form of one letter in reasoning, and it seeks to collect disarranged rules related to it in the prevalent texts of the grammar books.

The current research discusses is based on studying the verbs that embedded the meaning of the verb (become) in the Holy Qur’an. To demonstrate the effect of embedding in all transformation verbs that agree with(become), and to prove that the sisters of 'become' by embedding neither stop at the number seven as mentioned in some grammarians' books, nor the number fifteen according to what have been added by others, the embedding is one of the verb transmission from one form to another, it is a broad chapter that scholars have taken a different position from its regularity by rejecting and contenting with audible, or by accepting its conditional regularity as decided by the linguistic complex in Cairo, so this study was limited to studying the verbs that were embedded the meaning of the verb (become) in the grammarians' books, and what is proven in the most eloquent text that that frustrated the masters of eloquence and rhetoric at the time of its revelation; an inductive descriptive study, entitled: "What is embedded the meaning of become (AL-TASIEER) of the verbs in the Holy Book".

This research relies on studying the importance of oral audio documentation To show its development at its various levels: phonetic, morphological, grammatical and semantic, and from the vernacular language, folk poetry is specific. It rises from a linguistic perspective under the title: The Importance of  Audio Documentation in Preserving Vernacular Language: Folk Poetry as a Model. It deals with previous efforts to collect folk poetry with their related commentaries. It also tries to find an innovative way by which we can keep what has remained of folk poetry that was given almost no interest, studies or research as it is not uttered in Standard Arabic and is not appropriate for Standard Arabic spelling and, moreover, for reasons that were mistakenly thought to be religious.  The study reached a number of results most important among which are: Collecting folk poetry serves The Holy Qur’an and Islam and not the other way around. An audio recording of folk poetry is more important than its writing as it clarifies its linguistic and phonological features. Folk poetry, which represents a linguistic heritage, is that which was mentioned before the year 1410 AH. From a linguistic and lexicographical perspective, collecting folk poetry is more important than collecting modern eloquent poetry. Collecting folk poetry in its previous stages represents only a small segment of folk poetry production.  If we do not give interest to our folk poetry, no one else can do that role.  The idea of an audio collection of folk poetry through an encyclopedic work is the only way to realize this linguistic legacy. Finally, the research comes to an end with a number of recommendations most notable of which are:  Working on collecting and verifying previous manuscripts.  It is highly necessary to work strenuously on collecting what is available as a result of previous efforts in a phonetic form that shows its correct pronunciation  . It is very necessary to work on an encyclopedic institutional project to collect folk poetry orally.  Reviewing folk poetry nomenclature as it still needs much further research and study     Making good use of published poets and accurate narrators to get their linguistic poetic productions.     

 The research aimed at studying the formation of rhyme in free-verse poetry by presenting the critical attitude towards rhyme in free-verse poetry in the first topic, this was done by explaining the concept of rhyme in free-verse poetry, and its function, and the concept of a poetic sentence, and the concept of sound break, followed by an applied study in the second topic, the study relied on the statistical method for a sample of free-verse poems that reached (350) in total, as three forms of rhymes were studied, they are: the unified rhyme which reached (68%), and partial rhyme which reached (24%) , and various rhyme which reached (8%). The study relied on applying the concept of poetic sentence in identifying the place of the rhyme, which is the system that the study recommends its usage instead of the system of poetic line, and it also recommends the use of the term (sound break) in reference to close words that appear at the endings of lines inside a particular poetic sentence, which comes to break the line of composition when the poetic sentence is long in replacement of the delay in mention of the rhyme. The study reached the following findings: The spread of restricted rhymes and its predominance in free-verse poems at a proportion of (66%), and this result contradicts the compositional nature of the rhymes of old Arabic poems which contain few restricted rhymes. The statistical study confirmed the compliance of poets with the rhythmic alphabets and parts – like radf, wasl, tahsīs, in the rhymes of the free-verse poem.

This study examines the anthology “Its Flavour is Giger” by Fawwaz Alla’boon in order to identify the aesthetics of the poetic language, its features and its ability to achieve the aesthetics in the language of the anthology. Towards this aim, this study adopts the descriptive analytical approach. The study approaches the aesthetics of the poetic language in styles and structures in terms of elision, forwarding, backwarding, and some other composition styles where speech shifts from the truth to the linguistic metaphor.  In addition, the aesthetics of figurative language in simile, metaphor, and metonymy has been highlighted.  Moreover, the study points out the aesthetics of the internal rhythmic language represented in the phenomena of alliteration and repetition.  The study also illustrates the aesthetics of language in intertextuality with the Holy Quranic text and literary text. Those linguistic phenomena were a clear feature in the poetry of Alla’boon in the blog selected for the current study and a prominent linguistic sign that enhances the beauty of his poetic language to such a degree that distinguishes it from the language of prose.